James Jowers’ photography offers a captivating glimpse into New York City life during the 1960s and early 1970s. His work, much of which is now held at the George Eastman House, captures the energy and diversity of the city during a transformative period in American history. Jowers’ journey into photography began during his time in the United States Army, where he received training in darkroom techniques. This early experience laid the foundation for his later artistic pursuits.
A crucial moment in Jowers’ development as a photographer came in 1965 when he enrolled at the New School. There, he studied under the renowned photographer Lisette Model. This mentorship proved invaluable. Model not only imparted her knowledge and skills but also became a close friend and mentor to Jowers.
Living on the Lower East Side during this time, Jowers worked as a night porter at St. Luke’s Hospital. This unusual schedule provided him with a unique opportunity. He had his days free to explore the city and document life as it unfolded on the streets. This freedom allowed him to immerse himself in the city’s vibrant street culture.
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Model’s influence extended beyond the classroom. She introduced Jowers to the Nancy Palmer Photo Agency. This representation provided him with a platform to showcase his work and connect with a wider audience.
The collection at George Eastman House, primarily focuses on Jowers’ New York City street photography from the 1960s and early 1970s. This period was marked by significant social and political changes in the United States, and Jowers’ photographs reflect these changes.
The photographs fall squarely within the street photography genre. This style of photography emphasizes capturing candid moments in public spaces. It often focuses on the everyday lives of ordinary people.
Jowers’ work includes remarkable portraits of New Yorkers in various settings. These portraits capture the diversity of the city’s population. They show people from different backgrounds, ages, and social classes.
