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Crowning Glories: Vintage Hats and Headwear That Defined Fashion in the Early 20th Century

In the early 1900s, a woman’s hat said everything. Clothing was growing simpler and more practical, but hats stayed bold. They were the one place where personal style, status, and creativity could all meet at once. During the Edwardian era (1901–1910), wide-brimmed hats piled high with ostrich plumes, silk flowers, and ribbons dominated fashionable society. The bigger and more elaborate, the better.

Norma Talmadge in a fantastic velvet beret, 1919
Norma Talmadge in a fantastic velvet beret, 1919

By the mid-1910s, styles pulled back. Smaller, close-fitting hats called toques replaced the grand Edwardian showpieces. A single feather or a neat bow was all the decoration they needed. World War I pushed this shift further — with materials scarce, extravagance gave way to practicality. Knitted and crocheted headwear became common, and heavy trimmings largely disappeared.

Mae Busch in something truly different, 1929
Mae Busch in something truly different, 1929
Viola Dana in a great-looking geometric pattern, 1926
Viola Dana in a great-looking geometric pattern, 1926

The 1920s brought an entirely new silhouette. The cloche — a close-fitting, bell-shaped felt hat worn low over the forehead — became the defining symbol of the flapper era. It suited the decade’s shorter hair and bolder attitudes perfectly. Turbans, drawing on Eastern styles and often decorated with jewels or embroidery, also gained a strong following as a chic alternative.

Barbara La Marr in a scarf a la the 1923
Barbara La Marr in a scarf a la the 1923
Claire Windsor looks elegant in fur, 1925
Claire Windsor looks elegant in fur, 1925

Feathers never fully left the picture. Even as silhouettes slimmed down, designers found ways to work dramatic plumage into smaller, more structured pieces. Hollywood stars of the era were photographed constantly in their headwear, turning everyday hat choices into fashion statements seen around the world.

Betty Compson makes a statement in feathers, 1925
Betty Compson makes a statement in feathers, 1925
Alice Brady looks great in this saucy little number, 1921
Alice Brady looks great in this saucy little number, 1921

Materials mattered as much as shape. Ruched silk, velvet, straw, and fur each carried their own meaning and season. A silk hat with fur trim signaled luxury. A simple sailor straw was practical — worn for cycling and outdoor activity, lightweight and sun-protective without getting in the way.

Pauline Garon in a ruched silk hat and fur, 1923
Pauline Garon in a ruched silk hat and fur, 1923

By the mid-1930s, hat design had grown more sculptural. Felt, velvet, and straw braid were combined in geometric and asymmetrical forms that sat closer to the head. Scarves tied as headwear added versatility. The variety on display in 1937 alone — from black felt turbans to rust suède hat-and-scarf sets — showed just how seriously women and designers still took the art of the hat.

Pat Patterson in hat III, 1937
Pat Patterson in hat III, 1937
Jean Parker in a black felt turban, 1937
Jean Parker in a black felt turban, 1937
June Lang in a hat of velvet and felt, 1937
June Lang in a hat of velvet and felt, 1937
Frances Drake wearing a grey-blue felt hat trimmed with black straw braid, 1937
Frances Drake wearing a grey-blue felt hat trimmed with black straw braid, 1937
Mary Carlisle in a hat and scarf of rust suède, 1937
Mary Carlisle in a hat and scarf of rust suède, 1937
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