Roger Prigent, a student of Richard Avedon, came to the United States from France soon after the Second World War to visit his sister. She had been working as a pharmaceutical researcher in Washington. During his extended holiday in New York, he met Lilian Bassman, the former art director of Harper’s Bazaar who had become a Bazaar photographer.
Prigent went to Paris to take photos for French Vogue and ended up shooting at the home of a famous decorator, Gérard Mille, who lived with his brother Hervé, who owned a media giant in an apartment decorated with 1930s-style pieces. Prigent remembered.
There was this woman in black who sat there with them while I took my pictures and kept on saying, ‘But these look like maid’s dresses! These are like maid’s dresses! Who’s this Dior?
That evening, he learned it was Coco Chanel. The Mille apartment was like a send-off for Prigent, and as his career as a photographer took off. Later in his 60s, Prigent lost his eyesight and began an antique dealer.